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zinging website

 

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 2013 , 180x110 cm, oilpaint / acrylics on canvas, collection Centraal Museum Utrecht (NL)

2013 , 180×110 cm, oilpaint / acrylics on canvas, collection Centraal Museum Utrecht (NL)
Gilbert Sorrentino, from The Orangery
Variations 2
The pale moon sails out blank.
Green fruit in the trees and
in the green trees oranges.
They are limes they
are oranges. The n is a kind
of fly that lands on
nothing. The birds flash
in morning silver light.
glitter and buzz of
the transparent.
flash of green.
handful of silver coins
caught by the girl the
comedienne. Madame Mystère.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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untitled 2013, 100×160 cm , oilpaint/ acrylics on canvas

Ice baby
I saw your girlfriend and she was
Eating her fingers, just another meal
But she waits there in the levee wash
Mixin’ cocktails with a plastic tipped cigar

My eyes stick to all the shiny robes
She wears on the protein delta strip
In abandoned house but I will wait there
I’ll be waitin’ forever

Waitin’
Waitin’
Waitin’
Waitin’, go

Minerals, ice deposits daily, drop off
The first shiny robe
I’ve got a lot of freinds, I, I want
Not here, babe, you took ‘em

Every time, I sit around, I find I’m shot
Every time, I sit around, I find I’m shot
Every time, I sit around
Every time, I sit around

Every time, every time
Every time, every time
Every time
You’re my

Summer babe
Summer babe
Summer babe
Summer babe

wichit-kl

Wichiti /with Jean-Baptiste Bernadet: Gerhard Hofland gallery Amsterdam 2013

 

untitled 2013, 50x70 cm , enamel/ acrylics/cyanotype on canvas, collection Centraal Museum Utrecht

untitled 2013, 50×70 cm , enamel/ acrylics/cyanotype on canvas, collection Centraal Museum Utrecht
This painting is a zinging tangerine.
” the black paintings” are striking for their electric combinations of cool aquas, deep plums, sizzling Puces and zinging tangerines,
perhaps inspired by the artists motorcycle crash in southern italy, where they were executed.
Nine vertically oriënted large format canvasses evoke the opening to the black world in all iTS dazzling ColorS and emptiness.
there is an intangible drama in the apotheosis of non-gestural action and the artists struggle to land hard aesthetic facts on Each elusive canvas.
Red and yellow and green and Brown and Scarlett and black and ocre and Peach and Ruby and olive and violet and fawn and lilac and gold and chocolate
and mauve and Cream and crimson and silver and rosé and azure and lemon and ruset
and gray and purple and white and pink and orange- a battery of ColorS and their deployment in stage-like and other performative and theatrical platforms….

 

 

 

 

 

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